| Artist Bibliography
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Selected Bibliography and Catalogues |
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A Divided Glance: A Dialogue Between the Photographic Project 'A Forest of Signs' and the Figure of the Tree
in Virginia Woolf's Writing essay with images Literary London Journal Issue 10 no2 Autumn 2012 |
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A Forest of Signs portfolio pages and artist's text Photography and Culture Vol 4 issue 5 Berg publications |
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Land Matters: Landscape Photography, Culture and Identity Liz Wells I.B.Tauris 2011 ISBN978-1-84511-864-8 |
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Symbiosis Portfolio Magazine Special 50th edition Artist pages 2009 |
A Play in Time Artist's book and DVD with essays by David Chandler, Rebecca Drew, Claire Macdonald and David A. Mellor
and interview with the artist. Photoworks 2008 ISBN 978-1-903796-24-5 |
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A Telling Retold essay by Susan Butler on A Question of Distance, Portfolio issue 45 2007 |
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The Company of a Stranger- On Susan Trangmar's ‘A Question of Distance’ Cate Elwes, filmwaves issue 27 1/2005 |
A Question of Distance artists pages, ‘What Remains To Be Seen’ Art and Political Conflict, Views from Britain,
Israel, Palestine and Northern Ireland' pub. Multiexposures 2004 Cate Elwes, filmwaves issue 27 1/2005 |
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A Response to Speaking and Making, Jon Cairns Make Magazine www.makemagazine.net |
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Speaking and Making Review, Maria Walsh, Journal of Visual Arts Practice No 3 pp 173-174 |
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Launching the Imagination, Mary Stewart, McGraw-Hill 2002 |
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Susan Trangmar: Ariadnes Dream and Double Duration, Newlyn Gallery 2000 |
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‘Chemical Traces’ by David Mellor (curator) Hull City Museum and Art Gallery 1998 |
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‘La Photographie Plasticienne’ by Dominique Baque, Editions du Regard, Paris 1998 |
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‘Writing in the Dark' essay by Denise Robinson in brochure accompanying Exposures at Oriel Gallery, Cardiff April 1998 |
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‘The 20th Century Matrix' CD Rom Archive, NTT ICC Museum, Tokyo Japan. |
‘Chemical Traces: Photography and Conceptual Art 1968-1998 curator David A Mellor Ferens Art Gallery
ISBN 0 904409 19 X |
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Fotografia Concettuale I lavori di Amanda Curie e Susan Trangmar, VivianaGravano, RomArte Marzo Aprile 1997
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Exposures Artist's portfolio pages with essay ‘Multiple Darkness' by Chris Kul-Want,
Portfolio Magazine, Winter 1996. |
Exposures Artist's portfolio pages, European Photography Award 1996. Special issue of European Photography,
Issue 60, Vol.17, 1996. |
| Exposures with essay ‘ Telling Silence, Finding Space' by John Penny, Angel Row Gallery, 1996 (catalogue). |
| Interval and Amidst Artist's portfolio pages with introduction by Lewis Johnson Art and Design, September 1995 |
| ‘Fabrications d'Histoire' Saaremaa Biennale 1995 Estonia (catalogue) |
| ‘Artist's portfolio pages, Portfolio Magazine Issue 19 Summer 1994 with review of Amidst by John Stathatos |
| ‘A Dream of England', John Taylor Manchester University Press, 1994.pp10; 14; 268-9. |
Amidst catalogue with essay ‘The Point Is Not So Simple, Nor The Line So Pure, Nor The Space So Unified'
by Yve Lomax Dash Gallery January 1994 (catalogue) |
| Susan Trangmar Amidst Time Out February 1994 |
| Susan Trangmar Amidst, Dash Gallery, Untitled Magazine, Spring 1994 |
Montages and Crossbreeds:
Impure Photography', Dominique Baque Art Press
No 186, December 1993
Creative Camera 25th Anniversary issue Spring 1993 Artists pages |
| ‘Hybrid Forms of the Image', Philippe du Bois ‘ Europe 1970-1990' La Recherche Photographique Issue No 13, 1992. |
| Suspended States, artist catalogue with essay by Susan Butler. A Ffotogallery, Cambridge Darkroom and John Hansard Gallery publication, 1992. ISBN 1 872771 05 X |
Outer Space/Suspended States Art Monthly, May 1992 Introductory essay, Regis Durand, Inedits de Sejour IAPIF
(Information Arts Plastique d'Ile de France) April 1992 (catalogue) |
| Postcards From the Edge Andrew Graham Dixon The Independent 21 April 1992 |
‘Skulpturen Fragmente' Internationale Fotoarbeiten der90er Jahre. special issue of Parkett magazine with essay by
Herte Wolf (curator) May /June 1992 (catalogue) |
Ancestors III (artist's text) ‘Outer Space' with essays by Yve Lomax and Alexandra Noble (curators) A South Bank Centre/
Laing Art Gallery publication October 1991 (catalogue) ISBN |
‘Persistence of Memory' Third Israeli Biennale of Photography catalogue essay by John Stathatos
(curator) September 1991 (catalogue) |
| ‘From Art to Archaeology' South Bank publications 1991 London (catalogue) ISBN 1 85332 075 7 |
| ‘Blickens Tillintetgorelse' Irene Berggen Bildtidningen Sweden 1990 |
| ‘Susan Trangmar' European Photography No 43 1990 |
| ‘Whose Image?' Hilary Gresty Women Artists Slide Library Journal Winter 1989 Creative Camera No 10 Artists pages |
| The Consumption of Elements Artscribe May 1989 |
| Shifting Focus Desa Philipi Art Forum November 1989 |
| Blue Skies essay by Hilary Gresty accompanying Blue Skies brochure September 1989 Stoke City Museum and Art Gallery |
‘Observations, Speculations, Imaginings', Susan Butler (curator) ‘Shifting Focus' Arnolfini/ Serpentine Gallery
collaboration June 1989 (catalogue) |
‘Metamorphoses of the Image' John Stathatos (curator) Athens International Month of Photography May 1989
Ministry of Culture /Hellenic Centre for Photography (catalogue) British Photography |
| ‘Between Frames' Susan Butler ‘ British Photography Now' Aperture Magazine Winter 1988, No 113 |
| ‘Through the Looking Glass Darkly' Rosetta Brooks ibid |
| Between Echo and Silence Desa Philipi Artscribe International Nov/Dec 1987 |
| The Body Politic Artscribe International Nov Dec 1987 |
| Judith Barry, Andrea Fisher, Susan Trangmar Flash Art Oct 1987 |
| Anatomy Lessons Liz Heron The New Statesman July 1987 |
| Body and Soul Waldemar Janusszczak The Guardian July 22 1987 |
| Framing Feminism Griselda Pollock Pandora Books 1987 |
| Untitled Landscapes in The Body Politic Ten Eight Magazine Summer 1987 |
| Revisions : Fringe Interference in British Photography in the 1980's catalogue Cambridge Darkrooms 1985 |
| Beyond The Purloined Image Mary Kelly (curator) Block Magazine No 9 1983 |
| Tattoo Artists Pages in Undercut March 1982 |
| Models of Vision Artists Pages in Camerawork Magazine No 26 1981 |
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